Choose your STYLE!!!

sexta-feira, 20 de abril de 2018

The Rome Pro(g)ject (Vincenzo Ricca, Steve Hackett, Francesco Di Giacomo, Billy Sherwood) - Symphonic Prog


This is a conceptual musical project about ancient Rome, conceived as a trilogy by Italian keyboardist Vincenzo Ricca. Several internationally reknown players from the progressive rock scene have been invited to take part in the adventure: Steve Hackett, John Hackett, David Cross, David Jackson, Francesco Di Giacomo, as well as several other Italian or European musicians. 

The Rome Pro(g)ject is a Symphonic progressive rock project lead by Italian keyboard player and composer Vincenzo Ricca. In addition to Ricca's keyboards, the music of The Rome Pro(g)ject features contributions from well-known British and Italian musicians. Two of the central participants are Steve Hackett (Genesis) and David Jackson (Van der Graaf Generator) who both have played on all three of The Rome Pro(g)ject's albums. Other contributers include David Cross (King Crimson), Richard Sinclair (Caravan), Francesco Di Giacomo (Banco del Mutuo Soccorso), and Billy Sherwood (Yes).




A Musical Walk Through The History & The Places:
The Greatness & The Beauty Of The Eternal City


Some of the most important names of the progressive rock scene comment and celebrate in music the greatness and the beauty of Rome in the special event of the 2765th anniversary of its foundation. An instrumental prog music oriented concept album with 10 unreleased tracks written and/or performed by artists such as ( in alphabetical order) David Cross (King Crimson), Francesco Di Giacomo (Banco), John Hackett,Steve Hackett (Genesis, Gtr, SH Electric Band),David Jackson (VDGG), Nick Magnus, Richard Sinclair (Caravan, Hatfield and the North, Camel), …and MORE!!!

Conceived and Produced by Vincenzo Ricca.

Released December 7th, 2012.


The Rome Pro(G)ject II – Of Fate And Glory


Three and ½ years after the huge success of  their eponymus debut album, “The Rome Pro(G)ject”, Steve Hackett on guitars (Genesis/Gtr/Solo), David Jackson on winds (VDGG), Billy Sherwood on bass (Yes/Circa/Solo) and Vincenzo Ricca (keyboards), teamed up with a bunch of fantastic musicians, are about to release their second album, “II – Of Fate and Glory”.

66 minutes of instrumental progressive rock in 10 tracks plus a bonus one.

As per its title, this is a (musical) story “of fate and glory” about ancient Rome, from its beginning dated 753 b.C., up to its maximum territorial expansion, reached in 117 a.C., after 870 years of continuous conquests of the then known world.

Not coincidentally, the cd album will be released on April 21st., on the day of the 2769th anniversary of Rome’s foundation.

“OF FATE AND GLORY”

Label: TRP – Cat. nr. CDALB02

“The Rome Pro(G)ject II” are: Vincenzo RICCA keyboards, Steve HACKETT electric and classical guitars, David JACKSON saxophones and flutes, Billy SHERWOOD bass, drums and electric guitar with Mauro MONTOBBIO and Luca GROSSO of NARROW PASS, Riccardo ROMANO and Daniele POMO of RANESTRANE, LORENZO FELICIATI, Franck CARDUCCI, Giorgio CLEMENTELLI, Paolo RICCA, Special guest appearance by Joanna “Jo” LEHMANN HACKETT (guiding voice on “Of Fate and Glory”).



The Rome Pro(G)ject III: EXEGI MONVMENTVM AERE PERENNIVS


One and a half year after the hvge svccess of their second album “OF FATE AND GLORY”, “The Rome Pro(G)ject” release their third cdalbum
EXEGI MONVMENTVM AERE PERENNIVS
57 minvtes of instrvmental progressive rock in 10 tracks plvs three unreleased tracks as a bonvs.
As per its title, that means I RAISED A MONVMENT MORE LASTING THAN BRONZE, the possibly final chapter of TRP saga is an instrvmental concept album abovt the end of the roman empire and the awareness that “non omnis moriar”, not all dies!
Not coincidentally the cd album will be released Dec. 7th, 2017, on the same day TRP released their first cdalbum five years ago.

The Rome Pro(G)ject III” are
Vincenzo RICCA keyboards,
Steve HACKETT electric & classical gvitar,
David JACKSON saxophones & flvtes,
David CROSS electric violin, John HACKETT flute,
Nick MAGNVS piano
with
Daniele POMO drvms, Roberto VITELLI bass & moog tavrvs,
Franck CARDVCCI 12 strings gvitar & bass,
Paolo RICCA electric gvitar.
Special gvest appearance by
Francesco DI GIACOMO as Titvs Livivs






Um presentaço do Ricardo...

"Fala Java!
Cara, demorei para conseguir reunir esta coleção. É um super-projeto produzido entre 2012 e 2017, pelo tecladista, arranjador e compositor Vicenzo Ricca (http://www.vincenzoricca.it/). O projeto foi dividido em três partes que contam a história do Império Romano; sua origem, ascensão e queda. É um trabalho instrumental, mas intercalado com algumas narrativas que servem de guia para essa viagem musical. Francesco di Giacomo é o narrador do primeiro álbum e também é homenageado no terceiro álbum da trilogia. 
Dá para imaginar? Só ouvindo para perceber no que resulta quando misturamos, Jethro Tull, King Crimson, Camel, Genesis, YES, Van Der Graaf Generator e Banco del Mutuo Soccorso."

Thanks Ricardo

Asoka - {Sweden; Psych/Folk/Prog/Fusion Rock}


Asoka from Malmö were formed in 1971 by the remnants of the excellent Taste Of Blues. This background was just detectable, as Asoka headed in a hard rock direction with loud guitar riffs augmented by hammond organ and eager percussion.  They also had a decent vocalist, offering hilarious lyrics (in Swedish). Some tracks contained a kind of 'Latin funk' similar to the early Santana and Kvartetten Som Sprängde.  Claes Ericsson and Robban Larsson later made two albums with the jazz-rock group Lotus.

Official Swedish hard rock psych release made directly from the master reels!!! Great album from 1971. The CD also includes 8 exclusive bonustracks featuring Asoka MK. II, MK.III, livesongs with TASTE OF BLUES and a 10 minute track with TAKE OFF (pre-Asoka). Pictures and complete story housed in a nice digipack!! These guys hit you with a sound featuring bombastic drumming with double bass drums, heavy stoner fuzz bass, hard riffing psychedelic guitars and teeth grinding Hammond organ topped off with some dreamy piano and brought home by frustrated shivering vocals. Yes! It's everything that must be included on a top heavy prog psych album and collector legend such as this!





Robban Larsson - guitars
Patrick Erixcon - vocals, bongos
Claes Ericsson - piano, organ
Kent "Tjobbe" Bengtson - bass
Alf "Daffy" Bengtson – drums

quinta-feira, 19 de abril de 2018

ASFALTO - Crossover Prog • Spain


Spanish outfit ASFALTO were born in 1972, when rock band Tickets decided that a change of moniker was needed. In the first few years the band experienced a series of line-up changes, but by 1975 a stable version of the band had settled in the shape of José Luis Jiménez (vocals, bass), Julio Castejón (guitar, vocals), Enrique Cajide (drums) and Lele Laína (guitar, vocals).

In 1977 they were signed by newly formed Chapa Discos, a sub-label of Spanish label Zafiro, and in 1978 the band made their debut with Asfalto, an affort containing several tracks considered classics by their fans. The band itself weren't all together happy with the end result though, and Jimenez and Laina decided to leave the band shortly after the album release.

Castejon and Cajide decided to continue on as Asfalto, and brought in Jorge Walter García Banegas (keyboards) and José Ramón Pérez (bass) as new members. This revamped line-up released Al Otro Lado towards the end of 1978. !!Ahora!! followed in 1979, and the double album Dejalo Asi in 1981. Label problems saw Asfalto leave Chapas Discos in 1981, and they decided that it would be better to set up a label of their own, Snif.

Mas Que Una Intencion was to be the first production released on their newly formed label, and this album also sported a new member in their line-up, in the shape of Miguel Oñate (vocals). In 1984 Cronophobia is released. This would be the last album Onate participates on, as he decides to leave the following year. Ricardo Benítez (vocals) is recruited as his replacement, and he makes his band debut on the 1986 effort Corredor de Fondo. His tenure proves to be brief though, and at the end of 1986 he decides to opt out of Asfalto, citing personal reasons for the decision. Cajide, Perez and Bangeas left the band the following year, and a period of inactivity followed.

Asfalto returned in 1990 with the album Sólo por Dinero. Band leader Castejon is accompanied by returning old members Jimenez and Leina on this production, with new man Terry Barrios (drums, vocals) as the final member of the revitalized band. Barrios sadly pass away in 1992, after which Cajide decides to return as their drummer. This version of the band would release one studio production, El Planeta de Los Locos in 1994, but by the end of 1995 Asfalto decided to call it quits.

Band leader and sole remaining forming member Castejon decided to reform Asfalto in 2008. With an all new line-up consisting of himself, Carlos Parra (keyboards, vocals, viola), Raúl Santana (vocals, guitar), Viti Ilarraza (drums, vocals) and Juanvi García (bass), the CD Utopia is recorded and released the same year. Garcia leaves the band shortly after, and is replaced by Alejandro Ollero (bass). This slightly revamped line-up has released one effort so far: The live production Al Fin Vivos from 2009, issued on CD and DVD.




ARCABUZ - Symphonic Prog • Spain


Back in 1978 in the city of Santa Coloma; de Gramenet (Catalonia - Spain), when the first Golden era of Symphonic Prog was fading, a group of young musicians (Carlos Lopez - Guitar; Aurelio Ortega - Drums; Julio Francisco Alvarado - Keyboards and the bassist José Luis Lopez), decide to form a new band to follow in the steps of icons as TRIANA and IMAN which they call ARCABUZ.

They soon started to work and gathered a very respectable They even managed to record a demo containing three tracks "Confrontaciones Dolorosas", "La Setrilleira Monstruosa" and "Al Final De Una Larga Espera".

With this tracks and more unreleased material, they gathered a very respectable fanbase with appearances in Barcelona as the memorable concert in the "Discoteca Georgia" on holy week of 1979 (For the first time since the return of democracy, the public places opened in these days), but it wasn't their time. So each one of them took his own path.

More than 30 years later, the original members decided to try luck again with new hopes but the same ideals and a fresh approach. So on August 1, 2014, they self produce and release the awaited Orígenes, an elaborate and interesting album which blends the spirit of the 70's with the marvelous Spanish sound sound offered by bands as MEZQUITA, IMÁN, TRIANA AND MEDINA AZAHARA, but not as a tribute or a clone, they present us a new and powerful record that deserves to be listened.


Anderson Paak - Hip Hop, Funk & Soul (USA)


Brandon Paak Anderson(born February 8, 1986), better known by his stage name Anderson Paak (stylized as Anderson .Paak), is an American rapper, songwriter, drummer, singer and record producer from Oxnard, California. He released his debut album, O.B.E. Vol. 1 in 2012, under the pseudonym Breezy Lovejoy. He went on to release Venice in 2014, under his current moniker. Paak followed with Malibu, in 2016, which received a nomination for Best Urban Contemporary Album at the Grammy Awards. Apart from his solo career, Paak is also one-half of NxWorries, alongside record producer Knxwledge. He is accompanied by the band The Free Nationals, who play a variety of instruments such as electric guitar, bass, piano, keyboards, and drums, and also serve as backing vocalists.


quarta-feira, 18 de abril de 2018

Allison Burnside Express - Blues (USA)


Two great artists from two great musical families. Bernard and Cedric have been around the block and back again. This 2013 release is lightening hot. From the blues/rock genre of music, this is the first collaboration between the two artists and hopefully not the last.  "Bernard Allison (guitar, vocals) is the son of Luther Allison (1939-1997), who was famous for his rocking take on the blues, a style he originally honed backing up masters like Freddie King and Otis Rush; Cedric Burnside (guitar, vocals, drums) is the grandson of R. L. Burnside (1926-2005), whose extremely raw sound was influenced by John Lee Hooker, Lightnin' Hopkins and Muddy Waters."
Besides a batch of fresh original songs, the band interprets Ike & Tina Turner's "Nutbush City Limits," the classic "Going Down" by Don Nix as well as Willie Dixon's "Hidden Charms."




Amy Arlo & Almost Blue - Blues (USA)


It's kind of a Soulful, Funky thing, with a Bad Case of the Blues, guaranteed to get the Crowd up on the Feet, Miami based band Almost Blue will fill your soul with fire and your body with the urge to move ! Their tasty takes on Early Soul, Funk and the Blues are Outta sight ! You can be sure - it's always a party with Amy Arlo & Almost Blue...

Their new CD "Deeper Shade of Blue" featuring original music was just released...You can listen to a couple tunes and grab a copy here.  Come on Down and see us live around town....




Ali Maas & Micky Moody - Blues (USA)


Micky Moody needs no introduction as he's one of the best guitarists around. Ali Maas is also one of the best female vocalists of swampy, lowdown blues you will hear. Micky is best known as a member of the original lineup of Whitesnake, although he actually began his career years earlier as a member of Juicy Lucy. After Juicy Lucy, Micky played with Snafu for a few years, as well as on several session gigs, before joining Whitesnake in 1978. When bandleader David Coverdale began tinkering with Whitesnake's lineup in the mid-'80s, Micky resumed his prior career as a session guitarist; he also formed a blues-rock outfit called the Moody & Marsden Band with Whitesnake cohort Bernie Marsden, andreleased an album titled Never Turn Our Back on the Blues in 1994.
Ali Maas started singing at 15 years old with homegrown rock bands in Horsham, before travelling to  the far east to sing with a theatre show, playing mainly with Jazz and blues bands. Ali's singing career in the form of the blues, and after her debut appearance at The Ealing Blues Festival, was described in Blues Matters as ' A Star In the Making'. The Maas and Moody Band are releasing an album of original tracks, called 'Black and Chrome', in September , so this will be an opportunity to hear their new matrial live for the first time. (Black & Chrome).







terça-feira, 17 de abril de 2018

Grail - Psych Folk (UK)


Grail were from the UK but this album was originally released in France and Germany only. Both of those original pressings are very rare nowadays. I really like the cover art of the German pressing although the other cover is nice as well. I'm gonna rate this pretty strong record with four stars out of five. Recommended for the progressive rock fans. The production/recording arrangements of Rod Stewart give a three-dimensional folk-rock-arranged feeling. Grail were a British psychedelic group based in London. Their sound goes from subtle folk to acid rock and hard rock with good changes in rhythm, powerful contrasts, with additional arrangements for better contrasts with piano, a touch of organ and two tracks with an acid rock sitar lead.  They did their best to make the music a real ‘grail’, a powerful sound, with some good songs too, with a late 60s-based progressive look as result. A really good album, which was only released in France and Germany for whatever reasons. Maybe therefore it was also overlooked over here. About time to pick it up and check it out again.


Charles Chick Ganimian & His Orientals - West Rhythms


Charles 'Chick' Ganimian (1926-1988), was an Armenian-American professional musician and singer known for his virtuosity on the oud. Ganimian played the music of Anatolia, Turkey, and Armenia.




Gass (Peter Green) - Prog Jazz Psych Rock (UK)


The Gass was a rock band formed in May 1965 by Bobby Tench, Godfrey McLean, and Errol McLean. They were managed by Rik Gunnell and Active Management. The band fused melodies with soul, Latin influences, blues and progressive rock often employing complex rhythms.

Juju (1970) was the first album recorded by the rock band Gass and featured guitarist Peter Green, who had just left Fleetwood Mac at this time. The album was released by Polydor (catalogue reference 283-022 A) and withdrawn soon after it was released to retail outlets and re-issued entitled Gass...



Grinderman - Alternative Rock (Europe)


Grinderman is the eponymous debut studio album by alternative rock band Grinderman, a side project of members of Nick Cave and the Bad Seeds, released on 5 March 2007 on Mute Records in Europe and ANTI- in the United States. Aiming to recreate the more raw, primal sound of all former related projects such as The Birthday Party, Grinderman's lyrical and musical content diverged significantly to Nick Cave's concurrent work with The Bad Seeds, whose last studio album, Abattoir Blues/The Lyre of Orpheus (2004), was primarily blues, gospel and alternative-orientated in stark contrast to the raw sound of the early Bad Seeds albums. Incidentally, the musical direction of Grinderman influenced The Bad Seeds' next studio album, Dig, Lazarus, Dig!!! (2008). According to producer Nick Launay, the recording sessions for the album only lasted four days, during which time the band also recorded a number of extra material. Some of this material was later featured as b-sides to the album's three singles, "Get It On," "No Pussy Blues," and "(I Don't Need You To) Set Me Free." Upon its release, Grinderman received critical acclaim and charted internationally, debuting at number one on Billboard Heatseekers in the United States.




segunda-feira, 16 de abril de 2018

MV & EE - Psych Jam Folk


Beaming down from the cosmos to a transmitter in some desolate place west of the Appalachian Mountains comes Liberty Rose, the new LP from Brattleboro, Vermont’s prolific duo/collective MV & EE. Noted for their ability to assemble both musicians and noises into dense, reverb-laden compositions, Matt Valentine and Erika Elder’s music describes the companionship between human-modified sound and nature’s own silence and echoes. Aptly split into two suites of equal running length, Liberty Rose, like most of the duo’s discography, hearkens back to the days of Scott Walker and Pink Floyd’s explorations into music’s atmospheric qualities, making it a perfect fit for Arbitrary Signs’ vinyl- and cassette-only release format.

With the air of dissonance that’s common throughout their discography, MV & EE capture well the state of being lost. Rather than forging through the anxiety and helplessness that this state offers, however, the band lavishes in its adventurousness and liberation. Unlike previous recordings, which feel dense and stratified, Liberty Rose is open and sparse: the difference between being lost in the woods of Appalachia and in the deserts of the Southwest. “Right to Dry” — an abstract, shimmering piece of reverb devoid of both structure and vocals — descends like stray noise into a transmitter. The absence of percussion sets the raga-infused tone for what’s to follow. “Flow My Ray” and “Crow Jane Environs,” which will be recognizable to fans, are electrified blues drones that aspire toward melodies amid distant, twangy whines and indistinguishable vocals. These voices are mere whispers moving across the sound plane, as much an instrument as the amplified strings that surround it.

Suite two (side two), which is largely acoustic, relies more solidly on songwriting. “Death is My Friend” is an acknowledgment of the spiritual realm. Drawing macabre incarnations of seemingly Buddhist and Gnostic notions of transcendence, Elder eerily mutters, “When you’re a man/ You’re a lonely man/ Your body’s frail/ When you die you’re a holy man/ Your poetry’s better then.” Distracting from the hazy exuberance of the album is its meatiest piece, “Out in Space,” which ultimately feels uncertain as to whether it should act as a companion to “Death is My Friend” or go to venture off again. The album concludes perfectly with “Streams,” which finds a lonesome, pretty, finger-picked acoustic guitar dissolve away into the slow, electrified echoes and then silence.

Liberty Rose will deliver listeners to a remarkably different place than most MV & EE recordings. Lacking the psychedelic, collective-driven euphoria of Barn Nova (2009) or the cosmic folk of Green Blues (2007), this new album reaches slowly inward and outward at the same time, connecting distant echoes with our own utterances and creeping notes with our own synapses.




All Music on Valvulado!!!!

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