sábado, 17 de fevereiro de 2018

MALIBRAN - Progressive Rock • Italy


A highly regarded sextet from Italy, MALIBRAN is a dynamic -- at times explosive -- group that features two guitarists and a sax/flute player. The presence of winds over strong, symphonic arrangements allows the band to engage in the kind of complex interplay that marked such Italian masters as LOCANDA DELLE FATE. They've steadily released new works since 1990's "The Wood of Tales".



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Mops - Hard Blues Rock (Japan)


The Mops were formed in 1966 by a bunch of high schoolers Mikiharu Suzuki (drums), Taro Miuki (guitar), Katu Hoshi (guitar), and Kaoru Murakami, (bass). They began as a instrumental group similar to the Ventures, but soon after forming Mikiharu Suzuki's brother, Hiromitsu joined on lead vocals. The group started playing psychedelic rock at the suggestion of their manager who had brought home recordings of American "hippi" groups such as Jefferson Airplane after his trip to San Francisco. The group signed to JVC records, the Japanese wing of Victor and released a single in November if 1967 titled "Asamade Mateni", which hit #38 on the Japanese charts. In April 1968 the full length debut: Psychedelic Sound in Japan followed; the album included covers of "White Rabbit", and "Somebody to Love" by Jefferson Airplane as well as "Light my Fire" by the Doors, and two Animals songs. They got a lot of press as being the first psychedelic band in Japan and performed with extravagant light shows. In '69 they made the move to more blues/hard rock and signed with Liberty/Toshiba/EMI and followed with the hits "Gekko Kamen" (Moonlight Mask), and Goiken Muyo (No Excuse) both of which charted in 1971. Several albums followed before their break up in 1974.







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sexta-feira, 16 de fevereiro de 2018

Atrium - Progressive Jazz Rock (Germany)


German progressive jazz-rock band Atrium, which released in 1979 only album "Color Seed", which is found today is unrealistic, because it seems that the album was reissued on CD ... not in the group, in addition to the organist (Paul Schütt, the truth here He played trombone and singing), consisted Ede Janson (guitar, vocals), bassist Uli Krug, drummer Stefan Leidig, another keyboardist and percussionist Wolfgang Steiger Michael Weil. And they played somewhere at the intersection of genres, varied light jazz rock and funk-prog, akin to the late works of the Bavarians-progovikov Cry Freedom and numerous other German bands of the era ...



ART ZOYD - RIO/Avant-Prog • France


In 1968, French smalltown Maubeuge was giving birth to this fascinating avant-garde outfit that now boasts 13 albums, 17 videos, many soundtracks and music for shows, worldwide festival appearances plus numerous live and compilation disks. By the early 80's, ART ZOYD had already gone through over 30 musicians but the core always centered around composer and classically-trained violinist Gérard Hourbette and bassist Thierry Zaboitzeff. Constantly evolving over the years, their music is always highly adventurous, drawing on elements of the modern classics (Bartok, Stravinsky), the chamber rock of UNIVERS ZERO, a bit of jazz, a good dose of zeuhl and lately, a penchant for electronics. Despite their lack of a drummer, their material is intensely rhythmic and largely relies on strings, horns and piano. Considered more 'neo-classical chamber' than truly rock, their energy level has the intensity of bands such as MAGMA and 70's KING CRIMSON, with strong dynamics and atmospheric climaxes.

With each successive album, the rock aspect of their material slowly gave way to a blend of zeuhl and classical music, developing ever tenser and darker climates - surely not for the faint of heart. "Phase IV" (1982) is hailed as their all-time masterpiece and displays a remarkable "ear" for dense and dramatic textures. "Les espaces inquiets" (1983) is in the same vein but a bit more experimental, the music alternating between ominous, plodding parts with minimal instrumentation (usually a solo piano or organ) and faster, more frantic sections led by trumpet and strings. "Le mariage du ciel et de l'enfer" (1985) is perhaps the one that best displays the band's adventurous compositional sophistication while remaining reasonably digestible for new listeners. "Nosferatu" (1989) features nightmarish music that could wake the dead - albeit all too willing to oblige, no doubt. Finally, "Haxan" (1997) shows the band at their most 'electronic'. It features UNIVERS ZERO's drummer Daniel Denis who mostly plays around with sample triggers (sequencers). A good sampler for ART ZOYD neophytes is their 1987 album "Les espaces inquiets / Phase IV / Archives II", made up of 32 tracks covering the two cd's plus a few extras.

If you get off on UNIVERS ZERO, MAGMA or RIO in general, if you have a passion for the likes of Bartok, Stravinsky and Schoenberg, you definitely should check out the music of ART ZOYD : it is risky, unsafe, dark, stirring and immensely stimulating.

TEN - Hard Rock (UK)


TEN is a British melodic hard rock band which was formed in 1995. Up until June 2015, the band has released thirteen studio albums, four compilation albums, four EPs, a double live album, eight music videos and four lyric videos, with the latest one being "Jekyll And Hyde", from their 13th studio album Gothica. In March 2016, the band announced that they have returned to Frontiers for a multi-album deal, starting with the release of their thirteenth studio album entitled Gothica and a reissue of their back catalogue in box-set format, entitled "Opera Omnia".

Albion is the eleventh studio album by the melodic hard rock band Ten. The album was released on 21 November 2014 and derives its name from the name for the collective British Isles from the time of Queen Boadicia. According to the band, the album was another first for Ten with the release of a limited edition double gatefold vinyl album, which included a large number of highly collectable items.The leading singles from the album were the tracks "'Die For Me" and "Alone In The Dark Tonight". The album cover was illustrated by Gaetano Di Falco, who also illustrated the band's next studio album, Isla De Muerta.






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quinta-feira, 15 de fevereiro de 2018

Ketil Bjørnstad - Classic Piano Jazz (Norway)

Ketil Bjørnstad (born 25 April 1952 in Oslo, Norway) is a pianist, composer and author. Initially trained as a classical pianist, Bjørnstad discovered jazz at an early age and has embraced the emergence of "European jazz". He is an artist on the ECM record label, but has also published some twenty books, including novels, poetry, and essay collections. He has collaborated with other ECM artists, including cellists Svante Henryson and David Darling, drummer Jon Christensen, and guitarist Terje Rypdal.



Personnel:
- Ketil Bjørnstad - piano, electric piano, organ
- Jon Eberson - electric guitar
- Arild Andersen - bass
- Jon Christensen - drums
- Svein Erik Børja - producer

STREETMARK - Psychedelic/Space Rock • Germany


STREETMARK was founded 1968 in Düsseldorf, when Dorothea Raukes, who had studied Classical Music and played keyboards, met the Brothers Thomas and Bernd Schreiber, both guitarists. Dorothea and Thomas formed the nucleus of the band. In the beginning STREETMARK played mainly covers of the BEATLES, Jon Mayall and DEEP PURPLE. In 1969 they refused a proposal for a record deal. In the following five years STREETMARK developed their own style mainly based on the compositions of Dorothea and Thomas, influenced by PROCOL HARUM, FOCUS and ELP. Finally in 1975 STREETMARK recorded their debut record "Nordland" for Sky. The record was produced and recorded by Connie Plank with the following line up : Dorothea Raukes (keyboards), Thomas Schreiber (guitar), Hans Schweiss (drums), Georg Buschmann (vocals), Wolfgang Westphal (bass). Bernd Schreiber did the mixing and Soundboard duties. 

"Nordland" was a brillant debut record, the band had taken the time to play the compositions live and to work them out. The general musicianship is quite high; the only weak point, as often in German bands are the English vocals. In 1977 STREETMARK released their second record "Eileen" with Wolfgang Riechmann, a solo recording artist, who had joined the band on vocals and keyboards. Tragically he was murdered in 1978, before the release of his solo record "Wunderbar". Sky re-released "Eileen" in 1979 with the new title "Wolfgang Riechmann and Streetmark" with one bonus track. Later on the record was renamed "Dreams". The third (fourth) record "Dry", entirely instrumental, was released in 1979. In 1981 STREETMARK released their last record "Sky Racer", with Dorothea Raukes as the only founding member left. It is still an interesting record but much more Pop influenced.

"Nordland" and "Eileen" are highly recommended.



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Topas, Pop Rock (Germany)



Topas was a Pop Rock music group from Germany. The group was founded by the composer, lyricist and lead singer Dieter Brandt-Gudat in the late seventies. Dieter Brandt celebrated his first successes in 1971 with the duo "Alpha & Omega" together with Uwe Röhrdanz with German chansons like The Old Man, Farewell to a Summer Time and With the Eyes of a Child. There followed performances at three times Nine, presented by Wim Thoelke, and at the Turmpalast in Frankfurt among other things with the first single You've changed so much. After years of extensive tours through Austria, Switzerland and the Benelux countries, the duo split.

Dieter Brandt continued to write texts and composed music, and in 1979 founded the group "Topas" together with F. Landvogt, S. Miensok and Rolf Oppermann. From August 1979 to July 1980, nine songs were produced, which can be called "AOR melodic rock". Many guest musicians participated in the production - including Michael Cretu, who would be very successful with Enigma and his later wife Sandra Ann Lauer.

They decided not to take a title with the name of America on the album because they felt that a higher voice would be needed for singing. Finally, they handed the song to the German vocal duo Hoffmann and Hoffmann.

In 1980, the first and only album was released, but the great success did not come, and after a short time the members of the group parted. While most returned to their acquired professions, the founder Dieter Brandt alone tried his luck in the music scene - but without success.

This fact, combined with severe depression, led to Dieter Brandt taking his life in 1991.

Two songs of the album, Hurricane and Train to an Island, are still known today and appear from time to time on CD-compositions of Rock-Raritäten / Hits, even if they at the time of their publication no place on a chart list reached.




Thanks Magal

quarta-feira, 14 de fevereiro de 2018

Harmonia - Krautrock (Germany)


Harmonia is a Krautrock supergroup from Germany. They formed as a collaboration between Michael Rother of Neu! and Hans-Joachim Roedelius and Dieter Möbius of Cluster and later included the British musician Brian Eno. As two-thirds of the original group were the entirety of Cluster, the first album, Musik von Harmonia, leaned more towards that band's ambient-tinged rock than Neu!'s Motorik rock. The second album Deluxe had much stronger beats and a more Motorik and arguably more commercial sound. With the addition of Brian Eno for the 1976 recording sessions the third album, Tracks and Traces, was again more ambient in style.





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MOHOMAX - Hard Rock (Russia)






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Panram - Heavy Metal (Germany)


This German metal band sounds like a mixture of Queensryche, Crimson Glory and a little bit of Metal Church all rolled into one band. Guitarist Ricci Tessalla plays like a madman on this record. His excellent guitar work is a reason to pick up this record all by itself. Singer Jack Steen has very good vocal range, but not even a great singer can save average sounding songs, and the song writing on Rats is definitely lacking. When playing through this disc, I keep waiting for a stand out song, and the best moment I can find is the instrumental, Break One. Pack Bites the Last would have to be second. Sadly enough, after spinning this one a couple of times, the band comes across as a second hand Queensryche.





Thanks Magal

terça-feira, 13 de fevereiro de 2018

Amalgam Effect – Progressive Rock (USA)


Amalgam Effect is a progressive rock band from Colorado. The initial formation of the band began with Mathew Spivack and Chris Childress as they set out together on a professional and artistic venture. This would become Amalgam Effect in its earliest stage: style being negotiated, initial composition taking place, and the spark of artistic kinship igniting the flame of the band that would be. Over the subsequent couple of years and through several minor line-up shifts - one of which saw Kody Little's initial induction into the group and subsequent departure - the band slowly formed. The difficultly with keeping a full line-up eventually resolved itself as everything started to fall into place; it was in 2013 that Calvin Merseal joined the band - an event that was steadily followed by a surge in writing and composition within the group. It was shortly thereafter that Kody Little rejoined the band, and the progress and productivity has only come even further with his addition...



OPUS AVANTRA - RIO/Avant-Prog • Italy


OPUS AVANTRA comprises three parts: OPUS (opera - work) AVAN (avanguardia - vanguard) and TRA (tradition - tradition). Their style blends elements of progressive, classical, opera, jazz and just plain general weirdness, using keyboards, bass, drums, violins, cellos, clarinet, flutes and other instruments. They were highly influential in the progressive avant-garde scene of the time. 

"Introspezione" also referred to as "Donella Del Monaco" has all kinds of classical influences including contempory classic. Beautiful operatic voice which I like very much. The second album ("Lord Cromwell") is more difficult, almost avant garde but contempory and old classical music inspired too. It takes time to fully appreciate this album but it's worth to give it that time. "Strata" has beautiful vocal passages, some difficult piano pieces but very interesting too! The fourth album "Lyrics" is somewhat overshadowed being less difficult, less intense, with more minimal of ideas, but still coming forth from the first aproach. Still they are one of the all time best Italian bands. If you're up to it, start with "Introspezzione".





Thanks Magal

segunda-feira, 12 de fevereiro de 2018

John Zorn - Jazz Sax (USA)


John Zorn (born September 2, 1953) is an American composer, arranger, producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres, including jazz, rock, hardcore, classical, surf, metal, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".

Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone.[4] He attracted further attention worldwide with the release of Spillane in 1987, and Naked City in 1989. After spending almost a decade travelling between Japan and the US he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s.




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